OGNJEN TVRTKOVIĆ (Ljubljana/Sarajevo, Slovenia/Bosnia and Herzegovina)
Fenomen sarajevske šole popa in njeni začetniki, skupina Indeksi

BRANKO KOSTELNIK (Zagreb, Croatia)
Hrvaška popularna glasba devetdesetih let: Nove paradigme v popularni glasbi - hrvaška izkušnja

RAJKO MURŠIČ (Faculty of Arts, Ljubljana, Slovenia)
O razmerju med globalno in lokalno glasbeno produkcijo: Mario Marzidovšek in njegova neodvisna založba Marzidovshekminimalaboratorium

OGNJEN TVRTKOVIĆ (Ljubljana/Sarajevo, Slovenia/Bosnia and Herzegovina)
The Phenomenon of Sarajevo Pop School and the Group Indeksi as Initiator

BRANKO KOSTELNIK (Zagreb, Croatia)
Croatian Popular Music in the 90's: The New Paradigm of Popular Music - Croatian Experience

RAJKO MURŠIČ (Faculty of Arts, Ljubljana, Slovenia)
On Relationship of Global and Local Music Production: Mario Marzidovšek and His Independent Label Marzidovshekminimalaboratorium

PETER STANKOVIČ (Faculty of Social Sciences, Ljubljana, Slovenia)
Balkanska rock glasba: Lokalni ljudski partikularizem kot avtocesta k univerzalizmu rock 'n' rolla

IČO VIDMAR (ISH, Ljubljana, Slovenia)
"Jest sem Čefur": Roberto Magnifico kot Veličastni Drugi v slovenskem popu

BENJAMIN PERASOVIĆ (Zagreb, Croatia)
Tehno plemena na Hrvaškem

PETER STANKOVIČ (Faculty of Social Sciences, Ljubljana, Slovenia)
Balkan Rock Music: Local Folk Particularism as a Highway to Rock'n'Roll Universalism

IČO VIDMAR (ISH, Ljubljana, Slovenia)
"Jest sem Čefur": Roberto Magnifico as the Magnificent Other in Slovenian Pop

BENJAMIN PERASOVIĆ (Zagreb, Croatia)
Techno Tribes in Croatia

SVETLANA SLAPŠAK (ISH, Ljubljana, Slovenia)
Mit in spol v rebetiki

CLAIRE LEVY (Institute of Art Studies with BAS, Sofia, Bulgaria)
Od Madonne do Lepe Brene in Saške Vaseve: Globalni in lokalni vidiki folkpopa v bolgarski regiji

MIHA ZADNIKAR (Faculty of Arts & Slovenian Cinematheque, Ljubljana, Slovenia)
Od rockovskega gibanja k filmskemu: primer Goran Bregović

SVETLANA SLAPŠAK (ISH, Ljubljana, Slovenia)
Myth and Gender in Rebetika

CLAIRE LEVY (Institute of Art Studies with BAS, Sofia, Bulgaria)
From Madonna to Lepa Brena to Saška Vaseva: Global and Local Aspects of Folkpop in Bulgarian Region

MIHA ZADNIKAR (Faculty of Arts & Slovenian Cinematheque, Ljubljana, Slovenia)
From Rock Movement to Moving Picture: Goran Bregović Case

ERIC D. GORDY (University of California, Berkeley, USA) O urbani identiteti v globalni palanki: Samopodoba beograjskih rockerjev

ALEŠ OPEKAR (Institute of Musicology, Prague, Czech Republic)
Češki trg s ploščami v devetdesetih letih

JOŽE VOGRINC (ISH & Faculty of Arts, Ljubljana, Slovenia) Balkanizacija globalnega s študiji popularne glasbe / v študijih popularne glasbe

ERIC D. GORDY (University of California, Berkeley, USA) On Urban Identity in the Global Palanka: Perceptions of Self Among Belgrade Rockers

ALEŠ OPEKAR (Institute of Musicology, Prague, Czech Republic) Czech Record Market in 1990's

JOŽE VOGRINC (ISH & Faculty of Arts, Ljubljana, Slovenia) Balkanizing The Global with/in Popular Music Studies